Visuomeninis 2023 Nr. 47

English

This object showcases ethnographic exhibits from the National Museum within the Jonava Cultural Centre, which is housed in a meticulously renovated 19th-century horse post station. The primary goal of the design was to emphasize the continuity of time, creating a low-tech aesthetic and a sense of tradition. The interior prominently features black waxed open wooden shelves, showcasing textiles, wood carvings, linen, woolen tools, and household utensils. The tables and benches, thoughtfully restored in an eco-friendly manner, sport a neutral green hue that is characteristic of traditional furniture coloring.

The role of lighting was pivotal in crafting the ambiance. Instead of excessive brightness, the lighting was carefully designed to illuminate only what was essential, to accentuate and bring attention to key elements, while softly intertwining with shadows. A newly acquired antique floor lamp, with its substantial hood and intricate forged details, evokes memories of my grandmother's era. Could anything be cosier?

The exhibition's design places a strong emphasis on the museum's vibrant educational initiatives and events. It consistently draws both children and adults who are enthusiastic to explore and spend time here. This underscores the wisdom of my inspirational figure, Ilse Crawford, a renowned British design authority, who emphasises that design has the power to influence people's mood and behavior.